What are the tonal patterns of qiijue (七絕), or seven-character truncated verse?

T following are the two basic tonal patterns of the five-character truncated verse:

A.  Starting with the deflected tone (level-tone rhyme)

            △△     ○○     ○△     △                     OR      △△     ○○     △△     ●

            ○○     △△     △○     ●                                 ○○     △△     △○     ●                                               

            ○○     △△     ○○     △                                 ○○     △△     ○○     △

            △△     ○○     △△     ●                                 △△     ○○     △△     ●

B.  Starting with the level tone (level-tone rhyme)

            ○○     △△     ○○     △                     OR      ○○     △△     △○     ●

            △△     ○○     △△     ●                                 △△     ○○     △△     ●                                   

            △△     ○○     ○△     △                                 △△     ○○     ○△     △                       

            ○○     △△     △○     ●                                 ○○     △△     △○     ●

C.  Starting with the deflected tone (deflected-tone rhyme)

        △△     ○○     ○△     ▲

            ○○     △△     ○○     ▲

            ○○     △△     △○     ○

            △△     ○○     ○△     ▲

D.  Starting with the level tone (deflected-tone rhyme)

         ○○     △△     ○○     ▲

            △△     ○○     ○△     ▲

            △△     ○○     △△     ○

            ○○     △△     ○○     ▲

            ○ =  level tone

            △ = deflected tone

            ● = rhyme (level tone)

            ▲ = rhyme (deflected tone)

            ○ = can be replaced by a deflected tone

            △ = can be replaced by a level tone

It should be pointed out that deflected tone is infrequently used as a rhyme in both wujue

(five-character truncated verse) and qijue (seven-character truncated verse).

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